#philia love

[joaquinwhorres]

Philia ft. Caro Alvarez & Jas Lane

Jas climbed onto the bed, arms already wide open, and Caro crawled into them, hugging her friend tight. A sob shuddered through her body, only a small choked noise escaping, but it was enough for Jas to pull her even closer and lay her head on top of Caro's. "I knew I should have brought ice cream," she murmured. A broken laugh escaped Caro, and she could feel Jas smile.

from Tailspin part of the Motion Sickness Universe along with @bobfloydsbabe's Turning Tables. Jas is also from Helena's Turning Tables.

The 7 Types of Love for the 7 Days til Valentine’s ft. My OCs (2/7)

Tag List: @veetlegeuse @bobfloydsbabe @natrace @rae-gar-targaryen @hairringtonsteve @chrissymunson

[tmntkiseki]

Teenage Mutant Ninja Turtles (2003) and The Four Loves

[martyrofacrimescene]

Shoutout to literally all objectums ever. Shoutout to objectums attracted to "weird" objects. Shoutout to objectums attracted to objects or structures that no longer exist. Shoutout to objectums who are sexually attracted to objects and shoutout to those who aren't. Shoutout to objectums who're comfortable with the term objectophilia. Shoutout to platonic objectums. Shoutout to questioning objectums. Shoutout to objectums attracted to unattainable objects. Shoutout to objectums who have been in my asks sharing their joy. Shoutout to objectum artists. Shoutout to conceptums.

[mrsoftthoughts]

I'm Spreading the Roman legacy Nico agenda so hear me out:

Nico di Angelo as a third generation ( or second i can't chose) legacy of Venus by his grandma side and blessed by Mercury off who knows how many generations by his grandpa side

[tododeku-or-bust]

✨On her Papa-

✨On her hood-

✨Phi looks fly-

✨Phi looks good-

Reference under:

[bookshelf-in-progress]

Marks of Loyalty: A Retelling of Maid Maleen

For the Four Loves Fairy Tale Challenge at @inklings-challenge

Seven years, the high king declared.

Seven years’ imprisonment because a lowly handmaiden pledged her love to the crown prince and refused to release him when his father wished him to marry a foreign princess.

Never mind that Maleen’s blood was just as noble as that of the lady she served. Never mind that Jarroth had been only a fourth prince when he and Maleen courted and pledged their love without a word of protest from the crown. Never mind that they loved each other with a fierce devotion that could outlast the world’s end. A handmaid to the sister of the grand duke of Taina could never be an acceptable bride for the crown prince of all Montrane now that Jarroth was his father’s only heir.

“Seven years to break your rebellious spirit,” the king said as he stood in the grand duke’s study. “More than enough time for my son to forget this ridiculous infatuation.”

“This is ridiculous!” Lady Rilla laughed. “Imprison a lady of Taina for falling in love? If you imprison her, you must imprison me on the same charges. I promoted their courtship and witnessed their betrothal. I object to its ending. I am Maleen’s mistress, and you can not punish her actions without punishing me for permitting such impudence.”

Rilla believed that her rank would save her. That the high king would not dare to enrage Taina by imprisoning their grand duke’s sister. She believed her brother would protest, that the high king would relent rather than risk internal war when the Oprien emperor posed such a danger from without. She believed her words would rescue Maleen from her fate.

Rilla had been wrong. The high king ordered Rilla imprisoned with her handmaiden, and the grand duke did not so much as whisper in protest.

Lady Rilla had always treated Maleen as an equal, calling her a friend rather than a servant, but Maleen had never dreamed that friendship could prompt such a display of loyalty. She begged Rilla to repent of her words to the king rather than suffer punishment for Maleen’s crimes.

Rilla only laughed. “How could I survive without my handmaid? If I am to retain your services, I must go where you go.”

On the final morning of their freedom, they stood before the tower that was to serve as their prison and home, a building as as dark, solid, and impenetrable as the towering mountains that surrounded it. In the purple sunrise that was to be the last they would see for seven years, Maleen tearfully begged her mistress to save herself. Maleen was small, dark, quiet, hardy—she could endure seven years in a dark and lonely tower. Lively, laughing Rilla, with her red hair and bright eyes, was made for sunshine, not shadows. She loved company and revels and the finer things of life—seven years of imprisonment would crush her vibrant spirit, and Maleen could not bear to be the cause of it.

“Could you abandon Jarroth?” Rilla asked.

In the customs of the Taina people, tattoos around the neck symbolized one’s history and family bonds, marked near the veins that coursed with one’s lifeblood. Maleen had marked her betrothal to Jarroth by adding the pink blossoms of the mountain campion to the traditional black spots and swirls. Color indicated a chosen life-bond, and the flowers symbolized the mountain landscape where they had fallen in love and pledged their lives to each other.

“Jarroth has become part of my self,” Maleen said. “I could as soon abandon him as cut out my own heart.”

With uncharacteristic solemnity, Rilla said, “Neither could I abandon you.” She rolled up her sleeves far to reveal the tattoos that marked friendship, traditionally marked on the wrist—veins just as vital, and capable of reaching out to the world. The ring of blue and black circles matched the one on Maleen’s wrist, symbolizing a bond, not between mistress and servant, but between lifelong friends. “I do not leave my friends to suffer alone.”

When the king’s soldiers came, Maleen and Rilla entered the tower without fear.

*

Seven years, they stayed in the tower.

There was darkness and despair, but also laughter and joy.

Maleen was glad to have a friend.

*

The seven years were over, and still no one came. Their tower was isolated, but the high king could not have forgotten about them.

The food was running low.

It was Rilla’s idea to break through weak spots in the mortar, but Maleen had the patience to sit, day after day, chipping at it with their dull flatware until at last they saw their first ray of sun.

They bathed in the light, smiling as they’d not smiled in years, awash in peace and joy and hope. Then they worked with a will, attacking every brick and mortared edge until at last they made a hole just large enough to crawl through.

Maleen gazed upon the world and felt like a babe newborn. She and Rilla helped each other to name what they saw—sky, mountain, grass, clouds, tree. There was wind and sun, birds and bugs and flowers and life, life, life—unthinkable riches after seven years of darkness. They rolled in the grass like children, laughing and crying and thanking God for their release.

Then they saw the smoke. Across a dozen mountains, fields and forests had been burnt to ashes. Whole villages had disappeared. Far off to the south, where they should have been able to make out the flags and towers of the grand duke’s palace, there was nothing.

“What happened?” Maleen whispered.

“War,” Rilla replied.

Before the tower, Maleen had known the Opriens were a threat. Their emperor was a warmonger, greedy for land, disdainful of those who followed traditions other than Oprien ways. But war had always been a distant fear, something years in the distance, if it ever came at all.

Years had passed. War had come.

What of the world had survived?

*

Left to herself, Maleen might have stayed in the safe darkness of the tower, but Maleen was not alone. She had Rilla, who hungered for knowledge and conversation and food that was not their hard travel bread. She had Jarroth, somewhere out there—was he even alive?

Had he fallen in battle against the Oprien forces? Perished as their prisoner? Burned to death in one of their awful blazes? Had he wed another?

Rilla—who had developed a practical strain during their time in the tower—oversaw the selection of their supplies. They needed dresses—warm and cool. They needed cloaks and stockings and underclothes. They needed all the food they could salvage from their storeroom, and all the edible greens Maleen could find on the mountain. They needed kindling, flint, candles, blankets, bedrolls.

On their last night before leaving the tower, Maleen and Rilla slept in their usual beds, but could not sleep. The tower had seemed a place of torment seven years ago. Who would have thought it would become the safest place in the world?

“What do you think we’ll find out there?” Maleen asked Rilla.

“I don’t know,” Rilla said. “Whatever it is, we’ll face it together.”

*

It was worse than Maleen could have imagined.

Not only was Taina devastated by war and living under Oprien rule.

Taina was being wiped out.

The Taina were an independent people, proud of their traditions, which they had clung to fiercely as they were conquered and annexed into other kingdoms a dozen times across the centuries. Relations between the Taina and the high king of Montane had been strained, but friendly. Some might rebel, but most were content to live under the high king so long as he tolerated their culture.

The Oprien emperor did not believe in tolerance.

Taina knew that under Oprien rule, Taina life would die, so they had fought fiercely, cruelly, mercilessly, against the invasion, until at last they were conquered. The emperor, enraged by their resistance, ordered that the Taina be wiped from the face of the earth. Any Taina found living were to be killed like dogs.

Maleen and Rilla quickly learned that the tattoos on their necks and arms—the proud symbols of their heritage—now marked them for death. They wore long sleeves and high collars and thick cloaks. They avoided speaking lest their voices give them away. They dared not even think in the Taina tongue.

One night as they camped in a ruined church, Maleen trusted in their isolation enough to ask, “If I had given up Jarroth—let him marry his foreign princess—do you think Taina would have been saved?”

Rilla, ever wise about politics, only laughed. “If only it had been so easy. I would have told you to give him up myself. No, Oprien wanted war, and no alliance could have stopped them. No alliance did. For all we know, Jarroth did marry a foreign princess, and this was the result.”

Maleen got no sleep that night.

*

Jarroth had not married.

Jarroth was the king of Montane.

*

The wind had the first chill of autumn when Maleen and Rilla entered Montane City—a city of soaring gray spires and beautiful bridges, with precious stones in its pavements and mountain views that rivaled any in Taina.

Though its territories had been conquered, Montane itself had retained its independence—on precarious terms. Montane was surrounded by Oprien land, and even its mountains could not protect it if the emperor’s anger was sufficiently roused. Maleen and Rilla could not be sure of safety even here—the emperor had thousands of eyes upon his unconquered prize—but they could not survive a winter in the countryside, and Montane City was safer than any other.

“We must find work,” Maleen said, “if anyone will have us.” She now trusted in their disguises to keep their markings covered and their voices free of any taint of Taina.

“The king is looking for workers,” Rilla said with a smile.

Even now, Rilla championed their romance, but Maleen had grown wiser in seven years. Jarroth’s father was no longer alive to object, but a king—especially one surrounded by enemies—had even less freedom to marry than a crown prince did. Any hopes Maleen had were distant, wild hopes, less real than their pressing needs for food and shelter and new shoes.

But those wild hopes brought her and Rilla at last to the king’s gate, and then to his housekeeper, who was willing to hire even these ragged strangers to work in the king’s kitchen. The kitchen was so crowded with workers that Maleen and Rilla found they barely had room to breathe.

“It’s not usually like this,” a fellow scullery maid told them. “Most of these new hands will be gone after the wedding.”

Maleen felt a foreboding that she hadn’t felt since the moment the high king had pronounced her fate. Only this time, the words the scullery maid spoke crushed her last, wild hope.

In two weeks’ time, Jarroth would marry another.

*

As Maleen gathered herbs in the kitchen garden—the cook had noticed her knowledge of plants—she caught sight of Jarroth, walking briskly from the castle to a waiting carriage. He had aged more than seven years—his dark hair, thick as ever, had premature patches of gray. His shoulders were broader, and his jaw had a thick white scar. There was majesty in his bearing, but sorrow in his face that was only matched by the sorrow in Maleen’s heart—time had been unkind to both of them.

She longed to race to him and throw her arms around him, reassure him that she yet lived and loved him. A glimpse of one of her markings peeking out from beneath a sleeve reminded Maleen of the truth—she was a woman the king’s enemy wanted dead. She could not ask him to endanger all Montane by acknowledging her love.

Sensible as such thoughts were, Maleen might still have run to him, had Jarroth not reached the carriage first. When he opened the door, Maleen saw the arms of a foreign crown—the fish and crossed swords of Eshor. The woman who emerged was swathed in purple veils, customary in that nation for soon-to-be brides.

Jarroth bowed to his betrothed, then disappeared back into the palace with his soon-to-be wife on his arm.

Maleen sank into a patch of parsley and wept.

*

Rilla was helping Maleen to water the herb gardens when the purple-veiled princess of Eshor wandered into view.

“Is that the vixen?” Rilla asked.

Maleen shushed and scolded her.

“Don’t shush me,” Rilla said. “Now that I’m a servant, I’m allowed the joy of despising my betters.”

“You don’t need to despise her.” She was a princess doing her duty, as Jarroth was doing his. Jarroth thought Maleen dead with the rest of her nation.

“I will despise who I like,” Rilla said. “If I correctly recall, the king of Eshor has only one daughter, and she’s a sharp-tongued, spiteful thing.” She tore up a handful of weeds. “May she plague his unfaithful heart.”

Since Maleen could not bear to hear Jarroth disparaged, she did not argue, and she and Rilla fell into silence.

The princess remained in the background, watching.

When their heads were bent together over a patch of thyme, Rilla murmured, “Will she never leave?”

“She often comes to the gardens,” Maleen said. “She has a right to go where she pleases.”

“But not to stare as if we each have two heads.”

Out of habit, they glanced at each others’ collars, cuffs, and skirts. No sign of their markings showed.

“We have nothing to fear from her,” Maleen said. “In two days, the worst will be over.”

*

A maid came to the kitchen with a message from the princess, asking that the “pretty dark-haired maid in the herb garden” bring her breakfast tray. Cook grumbled, but could not object.

Maleen tried not to stare as she laid out the tray. The princess sprawled across the bed, her feet up on pillows, her face unveiled. Her height and build were similar to Maleen’s, but her hair was a sandy brown, and her face had been pockmarked by plague. Even then, her eyes—a striking blue, deep as a mountain lake—might have been pretty had there not been a cunning cruelty to the way they glared at her.

“You are uncommonly handsome for a kitchen maid,” the princess said. “You have not always been a servant, I think.”

Maleen tried not to quake. There was something terrifying in her all-knowing tone. “I do not wish to contradict your highness,” Maleen said, “but you are mistaken. I have been in service since my twelfth year.”

“Then you have been a servant of a higher class. Your hands are nearly as soft as mine, and you carry yourself like a princess.”

“Your highness is kind.” Maleen nodded her head in a quick, subservient bow, then scurried toward the door.

“I did not dismiss you!” the princess snapped.

Maleen stood at attention, her eyes upon her demurely clasped hands. “Forgive me, your highness. What else do you require?”

“I require assistance that no one else can give—a service that would be invaluable to our two kingdoms. I sprained my ankle on the stairs this morning and will be unable to walk. Since I cannot bear the thought of delaying the wedding that will bind our two nations in this hour of need, I need a woman to take my place.”

A voice that sounded much like Rilla’s whispered suspicions through Maleen’s mind. The princess was proud and her illness was recent. She would not like to show her ravaged face to foreign crowds, and by Montane tradition, she could not go veiled to and from the church.

Knowing—or suspecting—the truth behind the request didn’t ease any of Maleen’s terror. “No!” she gasped. “No, no, no! I could never…!”

“You will!” the princess snapped, sounding as imperious and immovable as the high king on that long ago day. “You are the right build—you will fit my gowns. You have a face that will not shame Eshor. You are quiet and demure—you will be discreet.”

“I will not do it! It is not right!” To marry the man she loved in the name of another woman, to show her face to the man who thought her long dead, to endanger his kingdom and her life by showing him a Taina had survived and entered his domain, it was—all of it—impossible.

“It is perfectly legal. Marriage by proxy is a long-standing tradition. I will reward you handsomely for your trouble.”

As she had defied the high king, so Maleen defied this princess. With her proudest bearing, Maleen looked the princess in the eye. “I will not do it. You have no right to command me. You will find another.”

“If I do,” the princess said, “there is an agent of the Oprien empire in the marketplace who will be glad to know the king of Montane harbors a fugitive from Taina.”

Maleen’s blood ran cold.

The princess smirked—a cat with a mouse in its claws. “If you serve me in this, no one ever need know of your heritage. I will even spare your red-haired friend. Do we have a bargain?”

Maleen bowed her head and rasped, “I am your servant, your highness.”

*

That night in their shared quarters, Rilla kept Maleen from bolting.

“We must flee!” Maleen said. “She knows the truth! If we are gone before dawn—“

“She will alert the emperor’s agent and give our descriptions,” Rilla said. “Nowhere will be safe.”

“If Jarroth sees me!”

“Either he will recognize you, and you’ll have your long-awaited reunion, or he won’t, and you’ll be well rid of him.”

“He could hand me over to the emperor himself. He is king and has a duty—“

If you think him capable of that, you’re a fool for ever loving him.”

Maleen sank onto her cot, breathing heavily. Tears sprang from her eyes. “I can’t do it. I’m too afraid.”

“You’ve lived in fear for seven years. I should think you well-practiced in it by now.”

“Will you be quiet, Rilla?” Maleen snapped.

Rilla grinned.

But she sank down on the cot next to Maleen and took Maleen’s hands in hers. With surprising sincerity, she said, “We can’t control what will happen. That’s when we trust. Trust me. Trust heaven. Trust yourself. Trust Jarroth. All will be well, and if it’s not, we’ll face it as we’ve faced our other troubles. You survived seven years in a tower. You can face a single day.”

What choice did she have? What choice had she ever had? She loved Jarroth and would be there on his wedding day, dressed as his bride. What came next was up to him.

Maleen embraced Rilla. “What would I do without you?”

“Nothing very sensible, I’m sure.”

*

The bride’s gown was all white, silk and lace, with a high collar, full sleeves, and skirts that hid even her shoes. Eshoran fashions were well-suited for a Taina bride.

When she met Jarroth on the road to the church, he gasped at the sight of her. “My…”

“Yes?” Maleen asked, heart racing.

He shook his head. “Impossible.” Meeting her eyes, he said, “You remind me of a girl I once knew. Long dead, now.”

The resemblance was not great. Seven years had changed Maleen. She was thinner, paler, ravaged by near-starvation and hard living. She had matured so much she sometimes wondered if her soul was the same as the girl’s he’d known. Yet the way her heart raced at the sight of him suggested some deep part of her hadn’t changed at all.

Jarroth took her hand and they began the long walk to the church, flanked on both sides by crowds of his subjects. So many eyes. Maleen longed to hide.

She glanced at her sleeve, which moved every time Jarroth’s hand swung with hers. “Don’t show my markings,” she murmured desperately.

Jarroth glanced over in surprise. “Pardon?”

Maleen looked away. “Nothing.”

At the bridge before the cathedral—the city’s grandest, flanked by statues of mythical heroes—the winds over the river swirled Maleen’s skirts as she stepped onto the arched walkway.

“Please, oh please,” she prayed in a whisper, “don’t let the markings on my ankles show.”

At the door to the church, she and Jarroth ducked their heads beneath a bower of flowers. She felt the fabric of her collar move, and placed a hand desperately to her throat. “Please,” she prayed, “don’t let the flowers show.”

“Did you say something?” Jarroth asked.

Maleen rushed into the church.

She sat beside him through the wedding service—the day she’d dreamed of since she’d met him nearly ten years ago—crying, not for joy, but in terror and dismay. He had seen her face and did not know her. He believed her long dead. She was so changed he did not suspect the truth, and she didn’t dare to tell him. Now she wed him as a stranger, in another woman’s name.

When the priest declared them man and wife, Maleen dissolved into tears. He took her to the waiting carriage and brought her to the palace as his bride. Maleen could not bear it. She claimed fatigue and dashed in the princess’ chambers as quickly as she could.

She threw the gown, the jewels, the petticoats on the floor beside the bed of the smiling princess. “It is done,” she said. “I owe you no more.”

“You have done well,” the princess said. “But don’t go far. I may have need of you tonight.”

*

That evening, Rilla wanted every detail of the wedding—the service, the flowers, the gown, and most of all, Jarroth’s reaction.

“You mean you didn’t tell him?” she scolded. “After he suspected?”

“How could I? In front of those crowds?”

“You’ll just leave him to that woman?”

“He chose that woman, Rilla.”

“But he married you.”

He had. It should have been the happiest moment of her life. But it was the end of all her hopes.

After dark, a maid summoned Maleen to a dressing room in the princess’ suite. The princess—queen now, Maleen realized—sat before a mirror, adjusting her customary purple veils. “You will remain here, in case I have need of you.”

The hatred Maleen felt in that moment rivaled anything Rilla had ever expressed. Not only did this woman force her to marry her beloved in her place—now she had to play witness to their wedding night.

The princess stepped into the dim bedchamber—her ankle as strong as anyone’s—leaving Maleen alone in the dark. It felt like the tower all over again—only without Rilla for support.

What a fool the princess was! She couldn’t wear the veil forever—Jarroth would see her face eventually.

There were murmurs in the outer room—Maleen recognized Jarroth’s deep tones.

A moment later, the princess scurried back into the dressing room. She hissed in Maleen’s ear, “What did you say on the path to the church?”

On the path?

Her stomach sank at the memory. She could say only the truth—but the princess wouldn’t like it. “My sleeve was moving. I prayed my markings wouldn’t show.”

Another moment alone in the dark. Another murmur from without, then another question from the princess. “What did you say at the bridge?”

“I prayed the markings on my ankle wouldn’t show.”

The princess cursed and returned to the bedchamber.

When she came back a moment later, Maleen swore the woman’s eyes sparked angrily in the dark. “What did you say at the church door?”

“I prayed the flowers on my neck wouldn’t show.”

The princess promised a million retributions, then returned to the bedroom.

The next time the door opened, Jarroth loomed in the threshold, a lantern in his hand. His eyes were wild—with anger or terror or wild hope, Maleen couldn’t begin to guess.

He held the lantern before her face. “Show me your wrists.”

Maleen rolled up her sleeves and showed the dots and dashes that marked the friendships of her life.

“Show me your ankles.”

She lifted her skirts to reveal the swirling patterns that marked her coming-of-age.

“Show me,” he said, his eyes blazing with undeniable hope, “the markings around your neck.”

She unbuttoned the collar to show the pink flowers of their betrothal.

The lantern clattered to the floor. Jarroth gathered her in his arms and pressed kisses on her brow. “My Maleen! I thought you dead!”

“I live,” Maleen said, laughing and crying with joy.

“And Rilla?” he asked.

“Downstairs.”

He put his head out the door and called for a maid to bring Rilla to the chambers. Then he called for guards to make sure his furious foreign bride did not leave the room.

Then he and Maleen began to share their stories of seven lost years.

*

The pockmarked princess glared at Jarroth and Maleen in the sunlit bedchamber. “You are sending me back to Eshor?”

“I have already wed a bride,” Jarroth said. “I have no need of another.”

The princess spat, “The emperor will be furious when he knows the king of Montane has wed a Taina bride.”

“Let him hear of it,” Jarroth said. “Let him go to war if he dares it. The people of Taina are always welcome in my realm.”

Jarroth played politics better than Rilla could. A threat had no power over one who did not fear it, and Eshor risked losing valuable trade if Montane fell to war with Oprien. The princess never spoke a word.

*

Maleen wandered the kitchen gardens with Rilla and Jarroth, luxuriating in the fragrance of the herbs and the safety of their love and friendship.

“Is this wise?” Maleen asked. “To put all the people at risk over me?”

“Over all the people of Taina,” Jarroth said. “My father was monstrous to tolerate it.”

“We will have to tread carefully,” Rilla said. “No need to provoke the emperor. No need to reveal his bride's heritage too soon."

"We can be discreet," Jarroth said. "But what shall we do with you, Lady Rilla?”

Rilla bowed her head in the subservient stance she’d learned as a kitchen maid—but there was a sparkle of mirth in her eyes. “If it pleases your majesties, I will remain near the queen, who I am bound by friendship to serve.”

Maleen took her friend’s hand and said, “I would have you nowhere else.”

[galgf]

♡ Agaphia Lesbian …

A flag for lesbians who either can not or do not want to differentiate between platonic & romantic love. This individual may be on the aromantic spectrum, but this flag can apply to anybeing.

[taviokapudding]

So, genuine question science, adult content, and Gravity Falls fandom sides of tumblr.

Ford obviously falls into the bi/pansexual monster fucker category- I feel seen - but wtf do you call his attraction specifically when it's a different dimensional being?

Spectrophilia/Phasmophilia is not exactly it, but kinda close, if we consider the fact Bill didn't have a 3D form until weirdmageddon, appears in mediation/sleep, and can be summoned like a demon or ghost. There's also the elements of Somnophilia and unintentional reverse incubi/succubi dynamics if you consider Bill's one sided attraction. And then there's Bill doing dangerous and questionable shit when he possess Ford and when they interact face to face that could fall under BDSM.

It's clearly a level 5 monster fucker situationship but is there a term for having attraction to a being from another dimension? And if not, can we call it alterum-dimensiophilia or alterum-universumphilia? Because that type of category needs to exist- Billford dynamic (stripping away the monster and yaoi/bl elements) is not the first but it's becoming more common in post 2010 media and I am struggling to explain the appeal without a proper definition or word that covers it.

Please answer or let me know if I gave a good phrase to use because yeah Bill isn't technically only a dream demon. And if a word exists, sos so I can add it to my vocabulary.

[inklings-challenge]

2024 Four Loves Fairy Tale Challenge Archive

Godmother: A Cinderella retelling by @lydiahosek

Hank and Gracie: A Hansel and Gretel retelling by @ashknife

A Love as Red as Blood: A Little Red Riding Hood retelling by @dearlittlefandom-stalker

Marks of Loyalty: A "Maid Maleen" retelling by @fictionadventurer

Maybelle and the Beast: A Beauty and the Beast retelling by @griseldabanks

The Princess and the Pulverized Pea: A "Princess and the Pea" retelling by @popcornfairy28

The Selkie Story: A Little Mermaid retelling by @allisonreader

Tam Lin: A retelling by @physicsgoblin

Tell Your Dad You Love Him: A "Cap O'Rushes" retelling by @queenlucythevaliant

Twelve, Thirteen, One: A "Cinderella" retelling by @confetti-cat

A Wise Pair of Fools: A retelling of "The Farmer's Clever Daughter" by @fictionadventurer

[griseldabanks]

Maybelle and the Beast

My contribution to the @inklings-challenge Four Loves Fairy Tale Challenge. This was my back-up idea for last year, so I was excited to have an excuse to finally write it out! Beauty and the Beast is my favorite fairy tale, and I have a feeling I may revisit this particular version again in the future, because I could definitely turn this into a novel ;) I'll admit to taking a lot of inspiration from Robin McKinley's retellings of this fairy tale.

Maybelle stared at the tall, imposing mahogany door. She felt just as reluctant to open it as if it had been the barred portal to a dungeon—like the cold stone chamber she'd explored early on in her stay here, which she expected had been a dungeon once but was now a wine cellar.

More to stall for time than anything else, Maybelle brushed off her rust red skirt and straightened her collar. It was a nervous habit, but in a way it also served to remind her of why she was here, because of who had given her these clothes. Days, weeks, months in this huge, empty mansion, alone except for one companion. The companion who had slammed this very door not half an hour ago.

Taking a deep breath, Maybelle knocked firmly on the door.

“Go 'way,” a muffled voice growled out to her.

Letting out her breath again in an impatient huff, Maybelle crossed her arms. “Are you still sulking, Agnes?”

“I am not sulking,” the voice insisted sulkily.

“Right. You're lying in bed at three in the afternoon, glaring a hole in the ceiling, for your health.”

After a heavy silence, a loud click told her the key had turned in the hole. Taking that as an invitation, Maybelle opened the door and stepped inside.

The heavy drapes had been pulled closed, leaving the bedroom in a stuffy half-light. The only illumination came from the embers of the fire dying in the fireplace. She could barely even make out the silhouette of a large bulk lying in the huge four-poster. It was like stepping into a sickroom.

Rolling her eyes at the drama of it all, Maybelle closed the door with a snap and made a beeline for the window closest to the fireplace. She pulled the curtains aside, letting a band of lazy afternoon sunlight stretch across the carpet, revealing the twisting patterns of vines and roses. After a moment's consideration, Maybelle decided not to open the curtains of the other window nearest the bed. Best not to annoy Agnes any further with a sunbeam in her eyes. She would probably just wave her hand and make the curtains close, then stick together so Maybelle couldn't open them again. Instead, Maybelle contented herself with throwing the window open and letting in the delicious scents of flowers and the buzzing of bees from the gardens.

“There,” she said, drawing in a deep breath of the fresh smell of spring. “Much better.”

With a grunt, the huge lump on the bed rolled over.

Maybelle walked up to the foot of the bed and stood there with her hands on her hips, just waiting. How strange, to remember how frightened she had been the first time she'd ventured into this room. Or how her knees had nearly given out the first time she'd dared to meet the gaze of the terrible Beast who was to be her captor.

It had been months since she'd ceased to be the Beast, and became instead...simply Agnes.

“Well?” Maybelle said, when it became clear Agnes wasn't about to break the silence. “Aren't we going to at least talk about this?”

The long tail lying on top of the blue bedspread flicked irritably, like a huge cat's. “What's to talk about?” Agnes retorted, her voice grumbling like a motorcar in her massive chest. “Clearly, you don't care what happens to me, as long as you get to go have fun without me.”

Closing her eyes for a moment, Maybelle sent up a silent prayer for patience. “Well, for starters,” she said, her voice coming out more sharply than she'd intended, “you called me an awful lot of horrid names, and I thought perhaps you might want to apologize.”

A long, pregnant pause. Finally, with a long-suffering groan from the bed, Agnes rolled over onto her back, her arms tucked up against her chest almost like a dog waiting for a belly rub. The long, black skirt did little to hide her bowed legs ending in sharp claws, and from this angle, her long saber teeth and curled goat-like horns were no longer hidden in her mountain of pillows.

Agnes sighed in resignation. “Sorry for calling you a selfish, bird-brained floozy.”

Maybelle nodded. “Apology accepted. And...I'm sorry too. For calling you a heartless, hairy pig.”

Their eyes met across the room. Agnes let out a snort, followed by a loud guffaw, and suddenly Maybelle found herself laughing as well. The tight coil of anger and bitterness loosened in her chest as she tipped her head back and let her higher-pitched laughter harmonize with Agnes' deep, hefty chuckles.

Still giggling, Maybelle crossed over and flopped onto the huge bed beside Agnes. She felt so tiny in this bed, like a doll. And yet, even though she was sure Agnes could snap her like a twig if she so desired, Maybelle didn't feel a shred of fear to lie a mere foot away from her.

For a couple minutes, they merely lay there, staring up into the canopy over the four-poster. Maybelle had just realized the stars embroidered there formed constellations and was looking for Orion when Agnes broke the silence.

“You were right, you know.” Her voice was a low, sad rumble like a locomotive rushing past in the night. “I am a pig.”

“Oh, no!” Maybelle raised herself on one elbow, looking over in alarm. “Please, forget those awful things I said. It was very wrong of me to call you that.”

Agnes turned her head aside, but Maybelle thought she caught the sight of a tear glistening in one eye. “You were only speaking the truth. Like you always do. I am heartless. Because I care more about not being alone than I do about you getting a chance to see your family. Even when all you ask is to go to your sister's wedding...I'm too selfish to let you go.”

Slowly, Maybelle lowered herself to her pillow again. She wasn't quite sure what to say, so she spoke slowly, picking her words carefully. “I wasn't thinking of you either. I'm sorry, Agnes. I know...I mean, I can imagine how lonely it must get here, in this huge mansion all alone. But it would only be for the weekend. Just enough to meet Edward and see Adeline off. I'd be back before you could miss me too much.”

“You...would come back?”

Agnes' voice sounded so hesitant and tremulous, Maybelle looked over in surprise, but she couldn't make out her friend's expression past the horn and the unruly mane of hair. “Of course I'll come back. That's part of the deal.”

The silence seemed to congeal between them. Neither of them had mentioned the deal Agnes and Maybelle's father had worked out, not since...Maybelle couldn't even remember. During the past several months, it had become easy to forget how all of this began. When Maybelle had first arrived at the mansion, she'd shut thoughts of home out of her mind as much as possible, to make her dreadful fate a little more bearable. If she weren't constantly thinking of the little cottage or trying to imagine what her father and sisters were up to, perhaps she could carve a small measure of contentment out of her exile. It was a small price to pay for her father's life, after all.

But it had been months since Maybelle had seriously believed that Agnes would have eaten her father. Not after she'd seen the delicate way Agnes handled the gardening tools when she tended to her enchanted rose bushes. Not after the way she'd cradled that finch's body in her enormous hands, huge tears rolling down her hairy face as she muttered spell after spell that fizzled out, unable to bring the tiny animal back to life.

Not after scores upon scores of cozy evenings by the fire, laughing together as Maybelle tried to teach Agnes how to knit with two iron pokers, or taking turns reading from one of the books in the huge library.

For the first time, Maybelle tried to imagine what life must have been like for Agnes in all the years before her father had shown up on the doorstep. Sitting alone in front of a guttering fire. Pacing the dark, dusty hallways, with nothing to hear but the echoes of her own footsteps. Wandering the grounds, able to turn the seasons at a word and the weather at a glance, but with nothing but the birds and bees to listen to her words. A library that magically seemed to provide exactly the book she wanted to read, but all the stories of friendship and adventure only serving to mock her solitude.

“I promise I'll come back,” Maybelle said firmly. “Deal or no deal. I won't leave you alone forever.”

A strange, strangled sound escaped Agnes, quickly disguised in a clearing of her throat. “Well,” she said gruffly, “good. But if you don't come back in three days, I'll die.”

Maybelle rolled her eyes. Always so dramatic.

-----

It was raining when Maybelle returned to the mansion. Since it was midsummer out in the rest of the world, she hadn't thought to pack a coat, so she just ducked her head and hurried up the gravel walk to the great front doors. This wasn't a summer rain, either; the chilly breeze cut right through the thin sleeves of the flower-patterned dress Violette had made for her.

The front doors seemed heavier than usual. Normally, they swung open at the first touch of her hand, but this time Maybelle had to throw her shoulder against one to open it. Perhaps Agnes had left a window open somewhere and there was a draft. Though that seemed strange; surely Agnes would have either closed the window or shifted the weather instead of letting all this cold rain blow in.

Maybelle turned back to glance out the door. It looked like Agnes had fully committed to a dreary late November today. The bare branches of the trees clacked together while the wind howled through them, cold raindrops splashing in puddles that turned the walkways to mud. It made her wonder if the rain had kept up the whole time she'd been away.

Shivering, Maybelle heaved the front door closed again, picked up her bag, and started towards the stairs. “Agnes!” she called, her voice echoing around the huge entryway. “I'm home!”

She was halfway up the stairs, struggling with her free hand to unpin her hair and wring out some of the water, when she realized the lamps were dark. Her feet slowed to a stop in the lush carpeting, and she frowned up at the huge chandelier that hung over the open space. Every time she'd set foot in this hall—or anywhere else in the house, for that matter—candles lit themselves and lamps burst to life. At first, she'd found it frightening, especially when she would walk down a long, straight corridor with the candles flaring up in front of her and winking out behind her, leaving her in a bubble of illumination.

But after all these months, she'd grown used to such things. Doors opening at a touch, lamps lighting on their own, plates of food and cups of tea appearing on tables right when she wanted them, a bath drawn and waiting for her without even the hint of a servant in sight. It was all part of the magic of this place. Agnes' magic.

In the cold darkness and silence, Maybelle suddenly remembered what Agnes had said before her trip. If you don't come back in three days, I'll die.

A chill ran down her spine that had nothing to do with her soaked dress. Surely Agnes had just been exaggerating, the way she so often did. Like that time she'd said she felt like she'd been alone in this mansion for a hundred years. Or when she said she lived under a curse.

But still...where was she? After all the fuss she'd made when Maybelle had first asked to leave, why wasn't she waiting for her? Was she sulking in her room again?

“Agnes!” Maybelle called again, slowly climbing the rest of the stairs. “I'm back! Where are you?”

Nothing but silence to welcome her.

Her footsteps slowed as she reached the top of the stairs and turned to the right, heading for her room. The corridor was wide enough that there wasn't much danger of bumping into things, but it was all so eerie without candles lighting her way. She paused at the corner, where a tall window offered a bit of cold illumination.

Shivering, Maybelle looked out at the darkening grounds, still lashed by the driving rain. The rosebushes looked like they were taking a beating, magic or no magic. Even as she watched, the wind stripped leaves off the branches, and most of the brightly-colored petals were already gone. What on earth was Agnes thinking? Even in her most fickle moods, she would usually relent if she realized it would endanger her precious roses....

Maybelle frowned. What was that dark lump in the middle of the path? She hadn't noticed it as she rushed up the front drive, but from this higher vantage point, she could see it clearly. Was it a tarp caught under a wheelbarrow, knocked onto its side in all this wind?

No. Those weren't the handles of a wheelbarrow. They were horns. Two horns, curled like a goat's, rising from a big hairy head lying in the mud....

Dropping everything, Maybelle grabbed her dripping skirts and raced back down the corridor. She hopped up onto the banister as she'd done so many times before and slid expertly to the bottom. Laughing as Agnes tried to imitate her and toppled over the side in a heap.

She ran to the front door and heaved it open, letting go as the howling wind gusted in and slammed it back against the wall. “Last one inside's a rotten egg!”

The rain almost seemed to be falling horizontally, the wind was so strong. Holding up an arm to shield her face, Maybelle splashed along the muddy path as fast as she could. Walking along the path, crunching through the snow, leaving behind a neat row of shoe prints and paw prints side-by-side.

“Agnes!” Maybelle screamed, the wind stealing her voice, as she turned down an aisle between the rosebushes. “You were wrong when you said there was nothing beautiful about you, Agnes. Just look at your roses!”

There she lay, like a mound of dirt, one arm flung around a rosebush as if to protect it, the other curled tight against her chest. She wasn't moving.

“Agnes?” Maybelle dropped to her knees in a puddle by Agnes' side. Throwing her weight against Agnes' huge shoulder, she managed to roll her onto her back. But how would she ever drag her up into the house?

A weak groan escaped Agnes' lips, and her eyelids fluttered, then slid open. “May...belle?”

Hot tears stung Maybelle's eyes. “Thank goodness!” she cried, grasping Agnes' hand in both of hers. “I thought you were....”

Agnes slowly opened her hand, and Maybelle saw that it was cupped around a small, bedraggled red rose. Most of the petals were gone, and those that remained looked wilted.

“Last one,” Agnes grunted. “Not much...time now.”

“It's all right,” Maybelle said, trying to give her an encouraging smile. “We can replant. Once you're feeling a little stronger, maybe you can turn the weather back to spring and—“

“No.” A shudder ran through Agnes' whole body, and her face twisted in a horrible grimace of pain. “No starting over. No...No use.”

“What are you talking about?” Maybelle patted her friend's hand. “Of course we can start over. We can always start over.”

“But...we sh-shouldn't.” Agnes' voice grew fainter by the minute, and Maybelle had to lean closer to hear. “Just...go back home...Maybelle.”

Icy fingers of dread closed around Maybelle's heart. “What? No! I made a promise, remember? I'm to stay here in my father's place—“

“I release you.” Her big amber eyes rolled to meet Maybelle's, bloodshot and exhausted, but crystal clear. “It was...wrong. I...was wrong. To make you stay...against your will. So...I...re...lease...you....”

With that final whisper, her eyes slid closed, and her head lolled back onto the ground. A shiver, like a tiny electric pulse, ran through Maybelle's whole body, and she knew that some sort of spell had just ended.

“No, Agnes!” Frantically, Maybelle chafed Agnes' hands, patted her cheeks, loosened her collar. “Agnes, you don't understand! I'm not here against my will! We're friends, Agnes! I want to be here!”

The huge beast didn't move. This wasn't like the times Agnes sulked and refused to talk to Maybelle. She couldn't even tell if Agnes was breathing anymore.

Desperate to do something, Maybelle tried to heave Agnes into her arms, but the most she could manage was to cradle Agnes' head in her lap. Tears mingled with rainwater on her furry cheeks.

What if she were dead already? What would Maybelle do then? Go back to her family? But there would be no more strolling through the gardens in the evening, no more reading by firelight, no more long conversations or teaching each other games or trying to braid each other's hair or teaching Agnes how to dance or listening to her wonderful singing voice or laughing at each other's silly jokes or....

“Don't be stupid, Agnes!” Maybelle sobbed. “You're my best friend. The best friend I've ever had. No one knows me like you do. No one cares like you do. If I knew this would happen to you, I never would have gone away.”

Maybelle rested her cheek against Agnes' forehead, in between the horns, and rocked back and forth, holding her best friend close. “I'm sorry, Agnes...I'm sorry.... I never wanted to lose you. I just...I just wanted to keep being your friend. Always. Forever.” A painful sob ripped out of her chest as her best friend's body lay cold and still in her arms. “I love you, Agnes.”

Faintly, Maybelle was aware that the wind had died down, and raindrops no longer pounded down on her head and shoulders. The realization of what that meant only made her cry harder. Her fingers tangled in Agnes' mane of hair as she mumbled over and over again, “I love you, Agnes...I love you....”

“Love you too.”

Maybelle looked up at those gruff words, then gave a great start as she realized she held a complete stranger in her arms.

The woman she held was large, with broad shoulders and a squarish jaw. She was no great beauty, especially not with disheveled brown hair straggling all over the place or her body swimming in Agnes' oversized dress, but there was something comfortable and familiar about....

Wait. “Ag...nes?”

Moving stiffly, the woman held her own hands up in front of her face and turned them around, as if she'd never seen them before. Slowly, a wondering smile crossed her face, and Maybelle noticed this woman's front teeth protruded slightly.

Not too unlike the huge fangs that had curved from Agnes' lips.

Then she raised her eyes to meet Maybelle's, and there was no doubt. Those were the amber-brown eyes of her best friend.

“Agnes!”

They threw their arms around each other, and they were crying, but they were also laughing, and Agnes was trying to tell her something about a fairy and a flower and a curse, but Maybelle was too distracted by how small Agnes was in her arms. How high Agnes' voice was.

“How?” she gulped, pulling back and holding Agnes at arms' length. “How did this happen?”

“It's all you, silly!” Agnes laughed, swiping her sleeve over Maybelle's cheeks to dry her tears. She still moved carefully, as if afraid of accidentally swiping Maybelle with nonexistent claws. “True love breaks any curse, don't you know that?”

“True love?” Maybelle sniffled.

Tears spilled out of Agnes' beautiful amber eyes and rolled down her round, rosy cheeks. “What love could be truer than this?” she said with a shaky laugh. “That you'd still want to be friends with someone as beastly as me?”

“Oh, you're not as bad as all that.”

Agnes raised her eyebrows. “Really? Even after all those nasty things I said to scare you on your first night here? Or when I threw a chair at you and screamed when you went exploring in the west wing?”

“Well....” Maybelle didn't know how to deny it without completely lying, so she hastily changed the subject. “I don't regret anything, though. I don't regret coming here. I don't regret deciding to be your friend.”

With a watery chuckle, Agnes rested their foreheads together. “I don't regret it either.”

[confetti-cat]

Twelve, Thirteen, and One

Words: 6k

Rating: G

Themes: Friendship, Self-Giving Love

(Written for the Four Loves Fairytale Retelling Challenge over at the @inklings-challenge! A Cinderella retelling feat. curious critters and a lot of friendship.)

When the clock chimes midnight on that third evening, thirteen creatures look to the girl who showed them all kindness.

—

It’s hours after dark, again, and the human girl still sleeps in the ashes.

The mice notice this—though it happens so often that they’ve ceased to pay attention to her. She smells like everything else in the hearth: ashy and overworked, tinged with the faint smell of herbs from the kitchen.

When she moves or shifts in her sleep (uncomfortable sleep—even they can sense the exhaustion in her posture as she sits slumped against the wall, more willing to seep up warmth from the stone than lie cold elsewhere this time of year), they simply scurry around her and continue combing for crumbs and seeds. They’d found a feast of lentils scattered about once, and many other times, the girl had beckoned them softly to her hand, where she’d held a little chunk of brown bread.

Tonight, she has nothing. They don’t mind—though three of them still come to sniff her limp hand where it lies drooped against the side of her tattered dress.

A fourth one places a little clawed hand on the side of her finger, leaning over it to investigate her palm for any sign of food.

When she stirs, it’s to the sensation of a furry brown mouse sitting in her palm.

It can feel the flickering of her muscles as she wakes—feeling slowly returning to her body. To her credit, she cracks her eyes open and merely observes it.

They’re all but tame by now. The Harsh-Mistress and the Shrieking-Girl and the Angry-Girl are to be avoided like the plague never was, but this girl—the Cinder-Girl, they think of her—is gentle and kind.

Even as she shifts a bit and they hear the dull crack of her joints, they’re too busy to mind. Some finding a few buried peas (there were always some peas or lentils still hidden here, if they looked carefully), some giving themselves an impromptu bath to wash off the dust. The one sitting on her hand is doing the latter, fur fluffed up as it scratches one ear and then scrubs tirelessly over its face with both paws.

One looks up from where it’s discovered a stray pea to check her expression.

A warm little smile has crept up her face, weary and dirty and sore as she seems to be. She stays very still in her awkward half-curl against stone, watching the mouse in her hand groom itself. The tender look about her far overwhelms—melts, even—the traces of tension in her tired limbs.

Very slowly, so much so that they really aren’t bothered by it, she raises her spare hand and begins lightly smearing the soot away from her eyes with the back of her wrist.

The mouse in her palm gives her an odd look for the movement, but has discovered her skin is warmer than the cold stone floor or the ash around the dying fire. It pads around in a circle once, then nudges its nose against her calloused skin, settling down for a moment.

The Cinder-Girl has closed her eyes again, and drops her other hand into her lap, slumping further against the wall. Her smile has grown even warmer, if sadder.

They decide she’s quite safe. Very friendly.

—

The old rat makes his rounds at the usual times of night, shuffling through a passage that leads from the ground all the way up to the attic.

When both gold sticks on the clocks’ moonlike faces point upward, there’s a faint chime from the tower-clock downstairs. He used to worry that the sound would rouse the humans. Now, he ignores it and goes about his business.

There’s a great treasury of old straw in the attic. It’s inside a large sack—and while this one doesn’t have corn or wheat like the ones near the kitchen sometimes do, he knows how to chew it open all the same.

The girl sleeps on this sack of straw, though she doesn’t seem to mind what he takes from it. There’s enough more of it to fill a hundred rat’s nests, so he supposes she doesn’t feel the difference.

Tonight, though—perhaps he’s a bit too loud in his chewing and tearing. The girl sits up slowly in bed, and he stiffens, teeth still sunk into a bit of the fabric.

“Oh.” says the girl. She smiles—and though the expression should seem threatening, all pulled mouth-corners and teeth, he feels the gentleness in her posture and wonders at novel thoughts of differing body languages. “Hello again. Do you need more straw?”

He isn’t sure what the sounds mean, but they remind him of the soft whuffles and squeaks of his siblings when they were small. Inquisitive, unafraid. Not direct or confrontational.

She’s seemed safe enough so far—almost like the woman in white and silver-gold he’s seen here sometimes, marveling at his own confidence in her safeness—so he does what signals not-afraid the best to his kind. He glances her over, twitches his whiskers briefly, and goes back to what he was doing.

Some of the straw is too big and rough, some too small and fine. He scratches a bundle out into a pile so he can shuffle through it. It’s true he doesn’t need much, but the chill of winter hasn’t left the world yet.

The girl laughs. The sound is soft and small. It reminds him again of young, friendly, peaceable.

“Take as much as you need,” she whispers. Her movements are unassuming when she reaches for something on the old wooden crate she uses as a bedside table. With something in hand, she leans against the wall her bed is a tunnel’s-width from, and offers him what she holds. “Would you like this?”

He peers at it in the dark, whiskers twitching. His eyesight isn’t the best, so he finds himself drawing closer to sniff at what she has.

It’s a feather. White and curled a bit, like the goose-down he’d once pulled out the corner of a spare pillow long ago. Soft and long, fluffy and warm.

He touches his nose to it—then, with a glance upward at her softly-smiling face, takes it in his teeth.

It makes him look like he has a mustache, and is a bit too big to fit through his hole easily. The girl giggles behind him as he leaves.

—

There’s a human out in the gardens again. Which is strange—this is a place for lizards, maybe birds and certainly bugs. Not for people, in his opinion. She’s not dressed in venomous bright colors like the other humans often are, but neither does she stay to the manicured garden path the way they do.

She doesn’t smell like unnatural rotten roses, either. A welcome change from having to dart for cover at not just the motions, but the stenches that accompany the others that appear from time to time.

This human is behind the border-shubs, beating an ornate rug that hangs over the fence with a home-tied broom. Huge clouds of dust shake from it with each hit, settling in a thin film on the leaves and grass around her.

She stops for a moment to press her palm to her forehead, then turns over her shoulder and coughs into her arm.

When she begins again, it’s with a sharp WHOP.

He jumps a bit, but only on instinct. However—

A few feet from where he settles back atop the sunning-rock, there’s a scuffle and a sharp splash. Then thrashing—waster swashing about with little churns and splishes.

It’s not the way of lizards to think of doing anything when one falls into the water. There were several basins for fish and to catch water off the roof for the garden—they simply had to not fall into them, not drown. There was little recourse for if they did. What could another lizard do, really? Fall in after them? Best to let them try to climb out if they could.

The girl hears the splashing. She stares at the water pot for a moment.

Then, she places her broom carefully on the ground and comes closer.

Closer. His heart speeds up. He skitters to the safety of a plant with low-hanging leaves—

—and then watches as she walks past his hiding place, peers into the basin, and reaches in.

Her hand comes up dripping wet, a very startled lizard still as a statue clinging to her fingers.

“Are you the same one I always find here?” she asks with a chiding little smile. “Or do all of you enjoy swimming?”

When she places her hand on the soft spring grass, the lizard darts off of it and into the underbrush. It doesn’t go as far as it could, though—something about this girl makes both of them want to stand still and wait for what she’ll do next.

The girl just watches it go. She lets out a strange sound—a weary laugh, perhaps—and turns back to her peculiar chore.

—

A song trails through the old house—under the floorboards—through the walls—into the garden, beneath the undergrowth—and lures them out of hiding.

It isn’t an audible song, not like that of the birds in the summer trees or the ashen-girl murmuring beautiful sounds to herself in the lonely hours. This one was silent. Yet, it reached deep down into their souls and said come out, please—the one who helped you needs your help.

It didn’t require any thought, no more than eat or sleep or run did.

In chains of silver and grey, all the mice who hear it converge, twenty-four tiny feet pattering along the wood in the walls. The rat joins them, but they are not afraid.

When they emerge from a hole out into the open air, the soft slip-slap of more feet surround them. Six lizards scurry from the bushes, some gleaming wet as if they’d just escaped the water trough or run through the birdbath themselves.

As a strange little hoard, they approach the kind girl. Beside her is a tall woman wearing white and silver and gold.

The girl—holding a large, round pumpkin—looks surprised to see them here. The woman is smiling.

“Set the pumpkin on the drive,” the woman says, a soft gleam in her eye. “The rest of you, line up, please.”

Bemused, but with a heartbeat fast enough for them to notice, the girl gingerly places the pumpkin on the stone of the drive. It’s natural for them, somehow, to follow—the mice line in pairs in front of it, the rat hops on top of it, and the lizards all stand beside.

“What are they doing?” asks the girl—and there’s curiosity and gingerness in her tone, like she doesn’t believe such a sight is wrong, but is worried it might be.

The older woman laughs kindly, and a feeling like blinking hard comes over the world.

It’s then—then, in that flash of darkness that turns to dazzling light, that something about them changes.

“Oh!” exclaims the girl, and they open their eyes. “Oh! They’re—“

They’re different.

The mice aren’t mice at all—and suddenly they wonder if they ever were, or if it was an odd dream.

They’re horses, steel grey and sleek-haired with with silky brown manes and tails. Their harnesses are ornate and stylish, their hooves polished and dark.

Instead of a rat, there’s a stout man in fine livery, with whiskers dark and smart as ever. He wears a fine cap with a familiar white feather, and the gleam in his eye is surprised.

“Well,” he says, examining his hands and the cuffs of his sleeves, “I suppose I won’t be wanting for adventure now.”

Instead of six lizards, six footmen stand at attention, their ivory jackets shining in the late afternoon sun.

The girl herself is different, though she’s still human—her hair is done up beautifully in the latest fashion, and instead of tattered grey she wears a shimmering dress of lovely pale green, inlaid with a design that only on close inspection is flowers.

“They are under your charge, now,” says the woman in white, stepping back and folding her hands together. “It is your responsibility to return before the clock strikes midnight—when that happens, the magic will be undone. Understood?”

“Yes,” says the girl breathlessly. She stares at them as if she’s been given the most priceless gift in all the world. “Oh, thank you.”

—

The castle is decorated brilliantly. Flowery garlands hang from every parapet, beautiful vines sprawling against walls and over archways as they climb. Dozens of picturesque lanterns hang from the walls, ready to be lit once the sky grows dark.

“It’s been so long since I’ve seen the castle,” the girl says, standing one step out of the carriage and looking so awed she seems happy not to go any further. “Father and I used to drive by it sometimes. But it never looked so lovely as this.”

“Shall we accompany you in, milady?” asks one of the footmen. They’re all nearly identical, though this one has freckles where he once had dark flecks in his scales.

She hesitates for only a moment, looking up at the pinnacles of the castle towers. Then, she shakes her head, and turns to look at them all with a smile like the sun.

“I think I’ll go in myself,” she says. “I’m not sure what is custom. But thank you—thank you so very much.”

And so they watch her go—stepping carefully in her radiant dress that looked lovelier than any queen’s.

Though she was not royal, it seemed there was no doubt in anyone’s minds that she was. The guards posted at the door opened it for her without question.

With a last smile over her shoulder, she stepped inside.

—

He's straightening the horses' trappings for the fifth time when the doors to the castle open, and out hurries a figure. It takes him a moment to recognize her, garbed in rich fabrics and cloaked in shadows, but it's the girl, rushing out to the gilded carriage. A footman steps forward and offers her a hand, which she accepts gratefully as she steps up into the seat.

“Enjoyable evening, milady?” asks the coachman. His whiskers are raised above the corners of his mouth, and his twinkling eyes crinkle at the edges.

“Yes, quite, thank you!” she breathes in a single huff. She smooths her dress the best she can before looking at him with some urgency. “The clock just struck quarter till—will you be able to get us home?”

The gentle woman in white had said they only would remain in such states until midnight. How long was it until the middle of night? What was a quarter? Surely darkness would last for far more hours than it had already—it couldn’t be close. Yet it seemed as though it must be; the princesslike girl in the carriage sounded worried it would catch them at any moment.

“I will do all I can,” he promises, and with a sharp rap of the reins, they’re off at a swift pace.

They arrive with minutes to spare. He knows this because after she helps him down from the carriage (...wait. That should have been the other way around! He makes mental note for next time: it should be him helping her down. If he can manage it. She’s fast), she takes one of those minutes to show him how his new pocketwatch works.

He’s fascinated already. There’s a part of him that wonders if he’ll remember how to tell time when he’s a rat again—or will this, all of this, be forgotten?

The woman in white is there beside the drive, and she’s already smiling. A knowing gleam lights her eye.

“Well, how was the ball?” she asks, as Cinder-Girl turns to face her with the most elated expression. “I hear the prince is looking for fair maidens. Did he speak with you?”

The girl rushes to grasp the woman’s hands in hers, clasping them gratefully and beaming up at her.

“It was lovely! I’ve never seen anything so lovely,” she all but gushes, her smile brighter and broader than they’d ever seen it. “The castle is beautiful; it feels so alive and warm. And yes, I met the Prince—although hush, he certainly isn’t looking for me—he’s so kind. I very much enjoyed speaking with him. He asked me to dance, too; I had as wonderful a time as he seemed to. Thank you! Thank you dearly.”

The woman laughs gently. It isn’t a laugh one would describe as warm, but neither is it cold in the sense some laughs can be—it's soft and beautiful, almost crystalline.

“That’s wonderful. Now, up to bed! You’ve made it before midnight, but your sisters will be returning soon.”

“Yes! Of course,” she replies eagerly—turning to smile gratefully at coachman and stroke the nearest horses on their noses and shoulders, then curtsy to the footmen. “Thank you all, very much. I could not ask for a more lovely company.”

It’s a strange moment when all of their new hearts swell with warmth and affection for this girl—and then the world darkens and lightens so quickly they feel as though they’ve fallen asleep and woken up.

They’re them again—six mice, six lizards, a rat, and a pumpkin. And a tattered gray dress.

“Please, would you let me go again tomorrow? The ball will last three days. I had such a wonderful time.”

“Come,” the woman said simply, “and place the pumpkin beneath the bushes.”

The woman in white led the way back to the house, followed by an air-footed girl and a train of tiny critters. There was another silent song in the air, and they thought perhaps the girl could hear it too: one that said yes—but get to bed!

—

The second evening, when the door of the house thuds shut and the hoofsteps of the family’s carriage fade out of hearing, the rat peeks out of a hole in the kitchen corner to see the Cinder-Girl leap to her feet.

She leans close to the window and watched for more minutes than he quite understands—or maybe he does; it was good to be sure all cats had left before coming out into the open—and then runs with a spring in her step to the back door near the kitchen.

Ever so faintly, like music, the woman’s laughter echoes faintly from outside. Drawn to it like he had been drawn to the silent song, the rat scurries back through the labyrinth of the walls.

When he hurries out onto the lawn, the mice and lizards are already there, looking up at the two humans expectantly. This time, the Cinder-Girl looks at them and smiles broadly.

“Hello, all. So—how do you do it?” she asks the woman. Her eyes shine with eager curiosity. “I had no idea you could do such a thing. How does it work?”

The woman fixes her with a look of fond mock-sternness. “If I were to explain to you the details of how, I’d have to tell you why and whom, and you’d be here long enough to miss the royal ball.” She waves her hands she speaks. “And then you’d be very much in trouble for knowing far more than you ought.”

The rat misses the girl’s response, because the world blinks again—and now all of them once again are different. Limbs are long and slender, paws are hooves with silver shoes or feet in polished boots.

The mouse-horses mouth at their bits as they glance back at the carriage and the assortment of humans now standing by it. The footmen are dressed in deep navy this time, and the girl wears a dress as blue as the summer sky, adorned with brilliant silver stars.

“Remember—“ says the woman, watching fondly as the Cinder-Girl steps into the carriage in a whorl of beautiful silk. “Return before midnight, before the magic disappears.”

“Yes, Godmother,” she calls, voice even more joyful than the previous night. “Thank you!”

—

The castle is just as glorious as before—and the crowd within it has grown. Noblemen and women, royals and servants, and the prince himself all mill about in the grand ballroom.

He’s unsure of the etiquette, but it seems best for her not to enter alone. Once he escorts her in, the coachman bows and watches for a moment—the crowd is hushed again, taken by her beauty and how important they think her to be—and then returns to the carriage outside.

He isn’t required in the ballroom for much of the night—but he tends to the horses and checks his pocketwatch studiously, everything in him wishing to be the best coachman that ever once was a rat.

Perhaps that wouldn’t be hard. He’d raise the bar, then. The best coachman that ever drove for a princess.

Because that was what she was—or, that was what he heard dozens of hushed whispers about once she’d entered the ball. Every noble and royal and servant saw her and deemed her a grand princess nobody knew from a land far away. The prince himself stared at her in a marveling way that indicated he thought no differently.

It was a thing more wondrous than he had practice thinking. If a mouse could become a horse or a rat could become a coachman, couldn’t a kitchen-girl become a princess?

The answer was yes, it seemed—perhaps in more ways than one.

She had rushed out with surprising grace just before midnight. They took off quickly, and she kept looking back toward the castle door, as if worried—but she was smiling.

“Did you know the Prince is very nice?” she asks once they’re safely home, and she’s stepped down (drat) without help again. The woman in white stands on her same place beside the drive, and when Cinder-Girl sees her, she waves with dainty grace that clearly holds a vibrant energy and sheer thankfulness behind it. “I’ve never known what it felt like to be understood. He thinks like I do.”

“How is that?” asks the woman, quirking an amused brow. “And if I might ask, how do you know?”

“Because he mentions things first.” The girl tries to smother some of the wideness of her smile, but can’t quite do so. “And I've shared his thoughts for a long time. That he loves his father, and thinks oranges and citrons are nice for festivities especially, and that he’s always wanted to go out someday and do something new.”

—

The third evening, the clouds were dense and a few droplets of rain splattered the carriage as they arrived.

“Looks like rain, milady,” said the coachman as she disembarked to stand on water-spotted stone. “If it doesn’t blow by, we’ll come for ye at the steps, if it pleases you.”

“Certainly—thank you,” she replies, all gleaming eyes and barely-smothered smiles. How her excitement to come can increase is beyond them—but she seems more so with each night that passes.

She has hardly turned to head for the door when a smattering of rain drizzles heavily on them all. She flinches slightly, already running her palms over the skirt of her dress to rub out the spots of water.

Her golden dress glisters even in the cloudy light, and doesn’t seem to show the spots much. Still, it’s hardy an ideal thing.

“One of you hold the parasol—quick about it, now—and escort her inside,” the coachman says quickly. The nearest footman jumps into action, hop-reaching into the carriage and falling back down with the umbrella in hand, unfolding it as he lands. “Wait about in case she needs anything.”

The parasol is small and not meant for this sort of weather, but it's enough for the moment. The pair of them dash for the door, the horses chomping and stamping behind them until they’re driven beneath the bows of a huge tree.

The footman knows his duty the way a lizard knows to run from danger. He achieves it the same way—by slipping off to become invisible, melting into the many people who stood against the golden walls.

From there, he watches.

It’s so strange to see the way the prince and their princess gravitate to each other. The prince’s attention seems impossible to drag away from her, though not for many’s lack of trying.

Likewise—more so than he would have thought, though perhaps he’s a bit slow in noticing—her focus is wholly on the prince for long minutes at a time.

Her attention is always divided a bit whenever she admires the interior of the castle, the many people and glamorous dresses in the crowd, the vibrant tables of food. It’s all very new to her, and he’s not certain it doesn’t show. But the Prince seems enamored by her delight in everything—if he thinks it odd, he certainly doesn’t let on.

They talk and laugh and sample fine foods and talk to other guests together, then they turn their heads toward where the musicians are starting up and smile softly when they meet each other’s eyes. The Prince offers a hand, which is accepted and clasped gleefully.

Then, they dance.

Their motions are so smooth and light-footed that many of the crowd forgo dancing, because admiring them is more enjoyable. They’re in-sync, back and forth like slow ripples on a pond. They sometimes look around them—but not often, especially compared to how long they gaze at each other with poorly-veiled, elated smiles.

The night whirls on in flares of gold tulle and maroon velvet, ivory, carnelian, and emerald silks, the crowd a nonstop blur of color.

(Color. New to him, that. Improved vision was wonderful.)

The clock strikes eleven, but there’s still time, and he’s fairly certain he won’t be able to convince the girl to leave anytime before midnight draws near.

He was a lizard until very recently. He’s not the best at judging time, yet. Midnight does draw near, but he’s not sure he understands how near.

The clock doesn’t quite say up-up. So he still has time. When the rain drums ceaselessly outside, he darts out and runs in a well-practiced way to find their carriage.

—

Another of the footmen comes in quickly, having been sent in a rush by the coachman, who had tried to keep his pocketwatch dry just a bit too long. He’s soaking wet from the downpour when he steps close enough to get her attention.

She sees him, notices this, and—with a glimmer of recognition and amusement in her eyes—laughs softly into her hand.

ONE—TWO— the clock starts. His heart speeds up terribly, and his skin feels cold. He suddenly craves a sunny rock.

“Um,” he begins awkwardly. Lizards didn’t have much in the way of a vocal language. He bows quickly, and water drips off his face and hat and onto the floor. “The chimes, milady.”

THREE—FOUR—

Perhaps she thought it was only eleven. Her face pales. “Oh.”

FIVE—SIX—

Like a deer, she leaps from the prince’s side and only manages a stumbling, backward stride as she curtsies in an attempt at a polite goodbye.

“Thank you, I must go—“ she says, and then she’s racing alongside the footman as fast as they both can go. The crowd parts for them just enough, amidst loud murmurs of surprise.

SEVEN—EIGHT—

“Wait!” calls the prince, but they don’t. Which hopefully isn’t grounds for arrest, the footman idly thinks.

They burst through the door and out into the open air.

NINE—TEN—

It has been storming. The rain is crashing down in torrents—the walkways and steps are flooded with a firm rush of water.

She steps in a crevice she couldn’t see, the water washes over her feet, and she stumbles, slipping right out of one shoe. There’s noise at the door behind them, so she doesn’t stop or even hesitate. She runs at a hobble and all but dives through the open carriage door. The awaiting footman quickly closes it, and they’re all grasping quickly to their riding-places at the corners of the vehicle.

ELEVEN—

A flash of lightning coats the horses in white, despite the dark water that’s soaked into their coats, and with a crack of the rains and thunder they take off at a swift run.

There’s shouting behind them—the prince—as people run out and call to the departing princess.

TWELVE.

Mist swallows them up, so thick they can’t hear or see the castle, but the horses know the way.

The castle’s clock tower must have been ever-so-slightly fast. (Does magic tell truer time?) Their escape works for a few thundering strides down the invisible, cloud-drenched road—until true midnight strikes a few moments later.

—

She walks home in the rain and fog, following a white pinprick of light she can guess the source of—all the while carrying a hollow pumpkin full of lizards, with an apron pocket full of mice and a rat perched on her shoulder.

It’s quite the walk.

—

The prince makes a declaration so grand that the mice do not understand it. The rat—a bit different now—tells them most things are that way to mice, but he’s glad to explain.

The prince wants to find the girl who wore the golden slipper left on the steps, he relates. He doesn’t want to ask any other to marry him, he loved her company so.

The mice think that’s a bit silly. Concerning, even. What if he does find her? There won’t be anyone to secretly leave seeds in the ashes or sneak them bread crusts when no humans are looking.

The rat thinks they’re being silly and that they’ve become too dependent on handouts. Back in his day, rodents worked for their food. Chewing open a bag of seed was an honest day’s work for its wages.

Besides, he confides, as he looks again out the peep-hole they’ve discovered in the floor trim of the parlor. You’re being self-interested, if you ask me. Don’t you want our princess to find a good mate, and live somewhere spacious and comfortable, free of human-cats, where she’d finally have plenty to eat?

It’s hard to make a mouse look appropriately chastised, but that question comes close. They shuffle back a bit to let him look out at the strange proceedings in the parlor again.

There are many humans there. The Harsh-Mistress stands tall and rigid at the back of one of the parlor chairs, exchanging curt words with a strange man in fine clothes with a funny hat. Shrieking-Girl and Angry-Girl stand close, scoffing and laughing, looking appalled.

Cinder-Girl sits on the chair that’s been pulled to the middle of the room. She extends her foot toward a strange golden object on a large cushion.

The shoe, the rat notes so the mice can follow. They can’t quite see it from here—poor eyesight and all.

Of course, the girl’s foot fits perfectly well into her own shoe. They all saw that coming.

Evidently, the humans did not. There’s absolute uproar.

“There is no possible way she’s the princess you’re looking for!” declares Harsh-Mistress, her voice full of rage. “She’s a kitchen maid. Nothing royal about her.”

“How dare you!” Angry-Girl rages. “Why does it fit you? Why not us?”

“You sneak!” shrieks none other than Shrieking-Girl. “Mother, she snuck to the ball! She must have used magic, somehow! Princes won’t marry sneaks, will they?”

“I think they might,” says a calm voice from the doorway, and the uproar stops immediately.

The Prince steps in. He stares at Cinder-Girl.

She stares back. Her face is still smudged with soot, and her dress is her old one, gray and tattered. The golden slipper gleams on her foot, having fit as only something molded or magic could.

A blush colors her face beneath the ash and she leaps up to do courtesy. “Your Highness.”

The Prince glances at the messenger-man with the slipper-pillow and the funny hat. The man nods seriously.

The Prince blinks at this, as if he wasn’t really asking anything with his look—it’s already clear he recognizes her—and meets Cinder-Girl’s gaze with a smile. It’s the same half-nervous, half-attemptingly-charming smile as he kept giving her at the ball.

He bows to her and offers a hand. (The rat has to push three mice out of the way to maintain his view.)

“It’s my honor,” he assures her. “Would you do me the great honor of accompanying me to the castle? I’d had a question in mind, but it seems there are—“ he glances at Harsh-Mistress, who looks like a very upset rat in a mousetrap. “—situations we might discuss remedying. You’d be a most welcome guest in my father’s house, if you’d be amenable to it?”

It’s all so much more strange and unusual than anything the creatures of the house are used to seeing. They almost don’t hear it, at first—that silent song.

It grows stronger, though, and they turn their heads toward it with an odd hope in their hearts.

—

The ride to the castle is almost as strange as that prior walk back. The reasons for this are such:

One—their princess is riding in their golden carriage alongside the prince, and their chatter and awkward laughter fills the surrounding spring air. They have a good feeling about the prince, now, if they didn’t already. He can certainly take things in stride, and he is no respecter of persons. He seems just as elated to be by her side as he was at the ball, even with the added surprise of where she'd come from.

Two—they have been transformed again, and the woman in white has asked them a single question: Would you choose to stay this way?

The coachman said yes without a second thought. He’d always wanted life to be more fulfilling, he confided—and this seemed a certain path to achieving that.

The footmen might not have said yes, but there was something to be said for recently-acquired cognition. It seemed—strange, to be human, but the thought of turning back into lizards had the odd feeling of being a poor choice. Baffled by this new instinct, they said yes.

The horses, of course, said things like whuff and nyiiiehuhum, grumph. The woman seemed to understand, though. She touched one horse on the nose and told it it would be the castle’s happiest mouse once the carriage reached its destination. The others, it seemed, enjoyed their new stature.

And three—they are heading toward a castle, where they have all been offered a fine place to live. The Prince explains that he doesn’t wish for such a kind girl to live in such conditions anymore. There’s no talk of anyone marrying—just discussions of rooms and favorite foods and of course, you’ll have the finest chicken pie anytime you’d like and I can’t have others make it for me! Lend me the kitchens and I’ll make some for you; I have a very dear recipe. Perhaps you can help. (Followed in short order by a ...Certainly, but I’d—um, I’d embarrass myself trying to cook. You would teach me? and a gentle laugh that brightened the souls of all who could hear it.)

“If you’d be amenable to it,” she replies—and in clear, if surprised, agreement, the Prince truly, warmly laughs.

“Milady,” the coachman calls down to them. “Your Highness. We’re here.”

The castle stands shining amber-gold in the light of the setting sun. It will be the fourth night they’ve come here—the thirteen of them and the one of her—but midnight, they realize, will not break the spell ever again.

One by one, they disembark from the carriage. If it will stay as it is or turn back into a pumpkin, they hadn't thought to ask. There’s so much warmth swelling in their hearts that they don’t think it matters.

The girl, their princess, smiles—a dear, true smile, tentative in the face of a brand new world, but bright with hope—and suddenly, they’re all smiling too.

She steps forward, and they follow. The prince falls into step with her and offers an arm, and their glances at each other are brimming with light as she accepts.

With her arm in the arm of the prince, a small crowd of footmen and the coachman trailing behind, and a single grey mouse on her shoulder, the once-Cinder-Girl walks once again toward the palace door.

[rainintheevening]

Please stop writing Obi-Wan "admitting" he loves Anakin like it's "forbidden" or something, gosh. It's not. Loving is an essential part of being a Jedi, especially a good one. Some of y'all weary me.

[independent-variables]

Extracurricular Officer Training

independent_variables

Chapters: 1/1 Fandom: Star Wars - All Media Types, Star Wars: The Clone Wars (2008) - All Media Types Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: CC-1010 | Fox & Clone Commander Thorn Characters: CC-1010 | Fox, Clone Commander Thorn (Star Wars), Grizzer the Massiff (Star Wars) Additional Tags: Theft, Bonding, THE START OF A BEAUTIFUL PARTNERSHIP, fox's adventures in crime on coruscant, Breaking and Entering, space dogs, cops doing cop things. like stealing Summary:

He didn’t have to wait long. The even click-thud of Lieutenant Thorn’s stride emerged from the mess, just as the lieutenant himself passed the hall. Fox reached out and snagged his pauldron.

Thorn twitched violently and then whirled around, one hand dropping to his blaster but the other rising in a neat salute. “Commander! Hi! I mean hello! Um. Hello, sir.”

Hm. Thorn was getting used to him.

***

Fox enlists Thorn's help with an errand.

---

This is a recent fic I’m posting for @starwarsalltypesoflove week long celebration! It’s a messy mix of like three different kinds of love that Fox is not happy to be feeling for his troops, lol.

[icycove]

The culture, especially the media, around relationships with others makes people feel like they aren't allowed to have deep relationships with other people who aren't inherently going to be seen or become romantic. unless you claim quite loudly that this other person is like family to you, people are going to read into your close relationships because it's all they are bombarded with and allowed to have.

Some people are terrified of being seen as gay for whatever personal reason they may have (whether or not they actually are) and are getting deprived of a vital support system that isn't based on one person you can be close with and then family. People will side-eye you or suggest it, and sometimes it can be confusing to recognize which it is you're actually feeling for someone. It makes romantic rejection seem more horrible because to some people, friendship is lesser and weaker, and just the designation for people they aren't interested in. It is devalued by constantly being overrun time and time again in media: two lifelong friends get together, or they get into a love triangle to be forgotten and belittled once the actual love interest is introduced.

A group of friends with girls and guys MUST have them getting together by the end or otherwise, it's not as powerful. Regardless of if they would naturally want to, and that's just speaking about characters, not real people with far more depth and feelings. They "deserve" each other romantically for it to be a satisfying good end for the audience's reinforced expectations at the end of nearly every movie, book, or show. And due to the lack of representation of all sorts of relationships, you'll have people shipping friends together. While there is nothing wrong with the basis of that (wanting to try "what ifs" or just trying to see how different things would be if X and Z end up together), it shows a clear problem with the lack of value in philia in general. Or the reality of queer people also being able to have platonic or queerplatonic relationships: it's just that due to the lack of previous representation for centuries, it feels like a slight to exclude that part of their identity. Do you know how you fix that? Having more than one queer person in your media and showing them get to have all types of relationships, romantic and platonic and all the nuanced varieties. Not by just having a token queer person. This is the token woman [who has to end up with the MC and has no personality outside of that] trope all over again.

Romance is a beautiful thing that can add to your story or just a fun-to-explore aspect, not that media these days will do anything but show you the establishment of it and then try to ruin it in a sequel/consequence episodes-- it's like writers rarely know how to write a healthy, untroubled established relationship in an interesting way, but that is a whole other issue.

All that to say Romance isn't the only type of valuable love, nor is it the objective "best" outcome. And people shouldn't have to be afraid to want to be close with their friends because of society's expectations and scrutiny. You deserve more support than just the push for nuclear families. You don't have to lose friends in the name of romance.

[tododeku-or-bust]

Achilles' heartsong for Philia is As by Stevie Wonder. Patroclus' heartsong for Philia is Don't You Worry Bout a Thing, which is also by Stevie but I do also love the John Legend and Will.I.Am version. 💕 They have each other's souls, but she holds their hearts 💕

[grossillygirl]

i used to read smut about succubuses (succubi? Idfk) and rape and ageplay and ddlg and grosssssss bad stuff and i REGRET IT SO MUCH NOW. I WAS THE DUMBASS KID READING THIS FUCKED UP SHIT THAT CONDITIONED ME TO WANT OLDER MEN LIKE THAT